{"id":1846,"date":"2017-08-30T13:44:17","date_gmt":"2017-08-30T11:44:17","guid":{"rendered":"https:\/\/ohmynsl.capsule.ch\/2017\/08\/back-to-form-landscape-architecture-and-representation-in-europe-after-the-sixties\/"},"modified":"2017-08-30T13:44:17","modified_gmt":"2017-08-30T11:44:17","slug":"back-to-form-landscape-architecture-and-representation-in-europe-after-the-sixties","status":"publish","type":"post","link":"https:\/\/ohmynsl.capsule.ch\/it\/2017\/08\/back-to-form-landscape-architecture-and-representation-in-europe-after-the-sixties\/","title":{"rendered":"Back to Form. Landscape Architecture and Representation in Europe after the Sixties"},"content":{"rendered":"<p>In: Waldheim, Charles; Hansen, Andrea (Hrsg.): Composite Landscapes. Photomontage and Landscape Architecture. Ostfildern: Hatje Cantz. S.92<i>\u2013<\/i>115.\u00a0<a href=\"http:\/\/www.hatjecantz.de\/composite-landscapes-6130-1.html\" target=\"_blank\" rel=\"noopener\">Mehr<\/a><br \/>\n<i>Composite Landscapes examines one of landscape architecture\u2019s most recognizable representational forms, the montage view. The volume gathers work from a select group of influential contemporary artists and a dozen of the world\u2019s leading landscape architects. These composite views reveal practices of photomontage depicting the conceptual, experiential, and temporal dimensions of landscape.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In: Waldheim, Charles; Hansen, Andrea (Hrsg.): Composite Landscapes. Photomontage and Landscape Architecture. Ostfildern: Hatje Cantz. S.92\u2013115.\u00a0Mehr Composite Landscapes examines one of landscape architecture\u2019s most recognizable representational forms, the montage view. The volume gathers work from a select group of influential contemporary artists and a dozen of the world\u2019s leading landscape architects. These composite views reveal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1847,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[182,196],"tags":[],"departemente":[16],"newsletter_ausgabe":[269],"class_list":["post-1846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publikationen","category-newsletter-artikel","departemente-departement-architektur-d-arch","newsletter_ausgabe-nl-24"],"acf":[],"_links":{"self":[{"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/posts\/1846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/comments?post=1846"}],"version-history":[{"count":0,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/posts\/1846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/media\/1847"}],"wp:attachment":[{"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/media?parent=1846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/categories?post=1846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/tags?post=1846"},{"taxonomy":"departemente","embeddable":true,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/departemente?post=1846"},{"taxonomy":"newsletter_ausgabe","embeddable":true,"href":"https:\/\/ohmynsl.capsule.ch\/it\/wp-json\/wp\/v2\/newsletter_ausgabe?post=1846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}